Log In    |    Register
Home / News > On the basic knowledge of mixing


On the basic knowledge of mixing

Mixing is more than just an art, it is also a key step in assembling the audio track into the ultimate music. An excellent mix can showcase the highlights of your music before you, and this can be thought of as the most beats by dre wireless important detail you will place in a spotlight on the spotlight, adding a bit of surprise to an otherwise very excited listener, At the same time, it must be ensured that the song be heard either on a transistor radio or from an enthusiast's "fantastic combination."

In theory, mixing should be a very simple matter: all you have to do is adjust a few knobs until all the sounds sound good. But generally not so good luck. Mixing For mix engineers, it can be as difficult as playing a musical instrument. So let's go closer and take a closer look at each step in the mix.

You start with analyzing the best sound mixing recordings of some of the top sound mixing engineers and producers. Do beats headphones on sale not focus on the music, but watch the mix. You should try your best to hear the sound of every instrument, even the "sound of walls," because every element of music has its own acoustical space. Also pay attention to the balance of the frequency response in your music. You should try to get enough high-pitched portions of your sound without screams, plenty of bass to keep it in place, but do not mess the mix Muddy water, of course, to ensure a clear and clear mid-band is also necessary.

One of the best mix reference tools is a CD player and a very good reference CD for mixing. Connect a CD player to your mixing console and often compare your mix with a reference CD. If your downmixed sounds seem dull, jarring or incongruous, then listen carefully and isolate the source of these undesirable effects. A reference CD can also guide you in many ways, such as the relative level of drum, vocals, and beats headphones other sounds.

Observe the mixer's level meters so that the levels of the songs on the reference CD are as same as the level of your mix (so that their peak signal is the same on the level meter). At this point, if the overall volume of your work sounds small, even when its peak value has almost exceeded the level of the reference CD, then the music in the reference CD must have undergone a good compression limit , So that the whole dynamic dynamic music will not be too great. In fact, compression is always one of the few things you have to do when mixing. At the same time, a regular studio should have at least one first-class compressor and a first-rate user.

Appropriate monitoring level

Too much noise can make the ear feel tired. Lower mix levels keep your ears "sensitive" and less prone to fatigue: Too much mixing levels can boil your entire body of blood, but it does not help to detect subtle changes in levels .

Many music studios have noise problems, so using headphones seems to be a good idea when mixing. Although headsets are excellent for capturing details that are not easy to hear in the speakers, they are not the best choice for mixing, as it exaggerates some of the details in the song. Therefore, it is best to use headphones to check the mixing results instead of using headphones.

Do not allow the device to "dirty" sound

Prepare for the mix when you start recording. One of the most crucial elements of getting a good mix is ??keeping your tracks clean as much as possible while recording. Remove all removable equipment between the source and recorder. In most cases during recording, turn on the "bypass" switch on the signal processing equipment so that it does not add any effect to the signal , While keeping the signal "original." If possible, it is best to input the audio signal directly into the recorder (for the microphone, use a separate, ultra-high quality preamplifier) ??while leaving the mixer on the side.

You may not hear any difference between direct recording and recording through mixing consoles and other devices for a single voice, but a piece of music composed of many tracks without "clean" components in each track's sound Add up will certainly affect the clarity of the music mix.

Music assignments

When composing, you should consider the mixing problem. A typical problem in personal music studios is that it's easy to mess up. In the early parts of the mixer, the structure of the music was packed so that as the recording progressed, you had no room to add new ideas. Remember: The fewer notes, the greater the impression of each note. As Sun Ra once said: "Blank is also a manifestation."

Here are some small suggestions:

Once the adapter is too bloated, a better way is to focus on music editing. Like many people's practices, I write songs while recording in the studio, so the confusion about the songs is usually temporary and improvisational. So removing something makes the song simple and nice, and gives you a clearer idea of ??the overall mastery of music. Try to construct a song with a singer's song or other melodic instrument beats headphones on sale instead of the rhythm part. Start by simply typing in drums, bass, and piano to mark the beat, then typing vocals and splicing it as well as you can. At this point, when you come back with the rhythm track, you are very sensitive to the subtleties of the human voice, so it's easy to feel where you want to step up the rhythm section and keep the rhythm section quiet . The sequencer software, which includes digital audio capabilities, makes it easy to record and edit the vocal tracks very easily before adding too much music. Listening to the voice so to carry out the device, you will compile the song and vocals posted more closely.